The nice thing with the Tokina Vistas is that the aperture is T1.5 from 18mm up to 85mm. The one thing that bugs me about some companies’ range of prime lenses is that they don’t have a consistent aperture across all lenses. They are also colour matched for consistency across the range. While some of the newer cinema primes from companies are rehoused from stills glass, Tokina has purpose-built these just for cinema, with all new elements inside. The range features 35mm, 50mm, 85mm models, with 18mm and 25mm yet to come. The biggest selling points for the Tokina Cinema Vista series are that they are all T1.5, have virtually no breathing, feature a 300 degree focus rotation, and cover an image circle of up to 46.7mm. Tokina has previously made a range of cine zooms that included the Cinema ATX 50-135MM T3, 16-28mm T3, and 11-16mm T3. It was written and directed by Geoffrrey Orthwein and Andrew Sullivan.The Tokina Cinema Vista series are the Japanese company’s first foray into making a set of cine prime lenses. Fans of last people on earth movies should check it out, but it might also appeal to other demographics that aren’t necessarily into post-apocalyptic films. We never quite find out how or why (or even if at all) these characters were chosen to live out the end of days and begin it anew, and the dénouement is just quietly frustrating and cold. It’s an unfortunate thing this could have been great. What we get instead is a protracted play on doom without the metaphysics of The Quiet Earth or the levity of Night of the Comet. How will these two survive each other and their exceedingly unusual predicament?įilmed entirely on location in Iceland, which seems simply gorgeous, Bokeh builds towards a revelation that never comes, which is truly a shame because the movie looks so good. By happenstance, they find another survivor, but after just one night of discussions and philosophical musings, their new friend dies, leaving Jenai and Riley alone again, more despondent than ever. They can’t go back home, they can only inhabit their new beautiful hell. They get the lay of the land by travelling around by car, and they collect resources to survive, and it almost seems as if the world was meant to be inhabited by just these two, but like all honeymoons, their comfort and free reign gives way to profound sadness, loneliness, and desperation. They scream and shout for anyone to answer them, but the fear turns to acceptance as they realize that they’re the last people on Earth … or at the very least, in Iceland. After just a day or two of being tourists, they wake up in their bed and breakfast hotel and venture outside, only to find that every living soul has disappeared. Review: The apocalypse is upon young couple Jenai (Maika Monroe) and Riley (Matt O’Leary), who have no idea that their little weeklong trip to Iceland will be their one-way ticket to isolation. Their struggle to survive and to reconcile the mysterious event leads them to reconsider everything they know about themselves and the world. Plot: On a romantic getaway to Iceland, a young American couple wake up one morning to discover every person on earth has disappeared. Bokeh had potential but is let down by a frustrating ending and any real depth.
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